As people traverse the space and stop in front of the piece, attention rapt by its glinting gold, Ricci — and Bishop, for that matter — are vindicated, cementing their places in history.
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Moxley’s messaging is clear, even if the truths she exposes are not the ones she intends. Maybe the things that we “modern women” run from are what imbue our lives with purpose after all. “I remember when the truth had consequences,” she says at the eleventh hour. #MeToo, Gina. Me too.
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As we foster a new generation of conservative citizens and voters, we must seriously reconsider who we elevate on the national stage. Trump — and Wax — have proven themselves unworthy of the pedestal.
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Yet, like many 59E59 Theater productions past, ‘Boswell’ is tinged with signature salvific sweetness. At the heart of the piece is a story about forming friendships.
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‘Catch as Catch Can’ has been produced once before, with an all-white cast, but writer Mia Chung felt an impulse to try again with a new venue, creative team, and a cast of Asian descent.
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As I watched ‘Where the Mountain Meets the Sea’ unfold, I could think of no starker representation of our current generational divide.
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