Clarence Coo’s writing lends itself well to the director’s cinematic vision for ‘On That Day in Amsterdam,’ calling to mind the dreamy fiction of authors like Haruki Murakami.
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As I watched, I realized we, as an audience, still have everything to learn about physical impairment.
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The play’s breadth is what makes it so breathtaking. It’s about loving each other well. It’s about obligation and self-sufficiency and relationships, the intricacies of which are too complicated to name.
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While this production of ‘Snow in Midsummer’ contains multiple shortcomings that undermine the show’s effectiveness, they do not undermine its importance.
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The political theater goes on — and on, and on.
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Shakespeare, I dare say, would be tickled by the creative freedom with which playwright James Ijames approaches his retelling.
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